Download 6 Autores cubanos. 10 obras para guitarra by Héctor Angulo, Carlos Fariñas, Harold Gramatges, Edgardo PDF

By Héctor Angulo, Carlos Fariñas, Harold Gramatges, Edgardo Martín, Leo Brouwer y José Ardevol

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In its structural rhythm the poem is discursive, drifting through a series of impressions as the poet muses on her burden of wanderlust and disillusionment. The song’s open-ended, lengthy multiverse form is especially prevalent on this album, dedicated to evocations of road travel (see chapter 7). ) Where the artifice of the first-period poetry was typically manifest in decorative verbal detail, now it operates primarily at the level of the image. Rhyme schemes become plainer, while the deployment of imagery becomes more challenging and complex.

They show up, of course, in her composition of music and lyrics: song forms range from conventional to through-composed; instrumental breaks can be well-spun hooks or rhapsodic arabesques; lyrics bubbly or gravid; chord changes down to earth or twisting through strange dimensions. “I Had a King” and “Amelia” make bids for artsong status in their consistent high-mindedness and dense working of materials. “Help Me” and “You Dream Flat Tires” are engaging pop songs, crafted with wit and originality but without pretense.

She credits a charismatic seventh-grade teacher with her discovery of poetry as an art form: “He encouraged us to write in any form that we liked. ”1 Her song lyrics on the whole are distinguished by their literary quality; self-consciously so to begin with and more comfortably assimilated as she matures. It might be surprising to learn, therefore, that Mitchell has typically written lyrics to fit her music, rather than the other way around. In an early interview, she explains, “I get the melody first and then I write out three sets of lyrics before I’m satisfied.

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