Download Abstract Space: Beneath the Media Surface by Therese Tierney PDF

By Therese Tierney

This visually beautiful, conceptually wealthy and creative e-book investigates the cultural connection among new media and architectural imaging. via a number fabric, from theoretical texts to experimental layout initiatives, Tierney explores notions of what the architectural photo ability today.

Within the book’s visually creative layout framework, summary house engages discourses from structure, visible and cultural experiences to machine technology and communications expertise to offer an in-depth multi-media case research. Tracing a provisional historical past of the subject, the publication additionally lends a provocative and multivalent figuring out to the complicated kin affecting the architectural photo at the present time.

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Extra resources for Abstract Space: Beneath the Media Surface

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By having an affinity with geometry, these abstracted qualities were then privileged over direct experience. 9 As a subsequent development of visual theory, Plato then proceeded to create the earliest intellectual structure related to knowledge formation by assigning hierarchical positions to both visuality and architecture within ancient Greek pedagogy. Because architecture’s role within the academy has long been a contingent one, these inherited notions merit review. qxd 25/1/07 11:01 am 35 Page 35 Architectural modes of seeing During the first century BC, the Romans further developed the Greek categories of education and knowledge.

Additionally, they supported the view that architectural expressions, whether images or buildings, exist in fixed, static, timeless modes. Reynold’s treatise was a refinement on the dramatist and art critic, Gotthold Ephraim Lessing’s earlier essay, Laokoon (1766). Lessing contrasted painting’s singular moment of perception with the temporality of poetry. 7 Both Reynolds and Lessing agreed on promoting rigid or inviolable media boundaries and were unable to entertain the possibility that media might be combined.

Each new technology delivers its own mode of perception, which ultimately frames and constrains the visions that are produced. 1 Joseph Kosuth: One and Three Chairs (1965) Imagination pouvoir Graffiti in Paris 1968 during the student demonstrations1 In order for us to understand the intricacy of today’s transformation of the architectural image, it will be necessary to extend our investigation beyond the architectural discipline itself and into the related fields of art and other forms of cultural expression.

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