Download Amy Lee (Evanescence) - You (sheet music) by Amy Lee of Evanescence PDF

By Amy Lee of Evanescence

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It's definitely a theatrical thing" (qtd. in Steve Turner, "Moving History"). Fundamentally, the difference between Lennon's performance of rock and roll and Sha Na Na's is the difference between inhabiting an identity and playing a role. (It should be clear that I am not speaking ontologically here-I do not mean that Lennon really did inhabit an identity while the members of Sha Na Na merely played roles. ) While Lennon's performance was thus aligned with the hippie counterculture's valorization of authenticity, Sha Na Na's challenged that value by foregrounding the kind of theatricality the counterculture rejected.

At the start of this performance, three gold lame-clad figures ran out on stage to a drum roll and stood with heads bowed like circus performers about to attempt a stunt. When the song began, one of the gold-suited men retired to a microphone at the back of the stage while the other two remained front and center to engage in intense, high-energy dancing. It is important that these two men did not sing on this occasion; they performed solely as dancers, while the others doing the singing stood to either side and behind them.

With Joplin and Cocker, it often seemed that their physical performances resulted more from their own internal experiences of powerful emotion than a desire to communicate with their audi- ences. Unlike their contemporaries in soul music and Motown, psyche- delic rock musicians usually did not dance on stage. They some- times moved or swayed rhythmically and they engaged in histrionic gestures with their instruments, but they did not dance (though members of their audiences often did). Willis points out that hippie culture generally deemphasized dance, arguing that "little of the hippy's general identity was expressed through autonomous bodily movement, so there was no demand that the music should parallel rhythmic bodily movement in a regular clear beat or encourage dancing.

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